片名:《德拉克的回归》
类型:剧情片
上映时间:1968
上映地区:其它
导演:爱德华·格莱纳
主演:拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela,Buckova,Jozef,Cierny,Pavel,Chrobak,米库拉斯·洛迪津斯凯,Ivan,Macho,Ján,Mildner,Andrej,Mojzis,Jan,Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan,Mach
集数: 更新至0集
语言:其它
《德拉克的回归》剧情片拍摄画面十分精美，德拉克的回归电影由导演爱德华·格莱纳指导拍摄，德拉克的回归讲述了一个荡气回肠的故事，德拉克的回归场面宏大的背景画面，配上德拉克的回归旋律优美的音乐配乐，让德拉克的回归的观众得到一场酣畅淋漓的视听体验。
《德拉克的回归》观后点评：德拉克的回归的剧情紧凑情节饱满，德拉克的回归的演员拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela,Buckova,Jozef,Cierny,Pavel,Chrobak,米库拉斯·洛迪津斯凯,Ivan,Macho,Ján,Mildner,Andrej,Mojzis,Jan,Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan,Mach充分把握角色定位，德拉克的回归编剧的台词更是让人记忆深刻，是一部相当精彩的剧情片。
《德拉克的回归》抖音网友评价：德拉克的回归的剧情实在精彩，德拉克的回归的音乐配乐更是刻画得入木三分，德拉克的回归的台词幽默深刻，让人在进入德拉克的回归勾画的影视世界的同时，也能得到精神上极大的满足。
《德拉克的回归》剧情简介：与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).Copyright © 2015-2020 All Rights Reserved
